Issue 2019 №4(31)

CONTENTS

20th Century Music

Yulia Veksler. On the history of the term «atonality» in the first third of the twentieth century   p. 5–14

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Elena Potiarkina. Creative dialogues: I. Stravinsky and J. Point’s. Stage embodiment of symphonic fantasy «Fireworks» in Diaghilev’s enterpris   p. 15–21

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Contemporary Music

Irina Snitkova. The Phenomenon of niente in the music of Salvatore Sciarrino   p. 22–28

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Evgenia Chigareva. «London Divertissements» by Grigory Korchmar: The reception of Mozart in Russia   p. 29–38

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Questions of Music Theory

Vitaly Aleev. On Rachmaninoff’s harmony in works of major form: Third piano concerto   p. 39–44

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The Modern Musical Theater

Evgenia Artemova. Opera performance in Moscow: current trends   p. 45–54

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.From the History of Musical Culture Abroad

Tatiana Basmanova. M. Ravel’s Daphnis and Chloé choreographic symphony: symphonic principles as a foundation of musical dramatic composition of a french ballet show   p. 55–72

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.From the History of Russian Musical Culture

Natalia Govar. Synthesis of word and music in piano suites by N. Cherepnin and V. Shcherbachev   p. 73–87

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Musical Culture of the Peoples of the World

Tamila Djani-zade. Approaching the musical history of Islamic civilization   p. 88–95

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Events

Irina Susidko, Nina Pilipenko. Opera at the intersection of history and modernity   p. 96–104

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Musical Archives

Anna Avdeeva, Nora Potemkina, Vladimir Tropp. Correspondence of R. M. Glier with the Gnessin family. Part three   p. 105–126

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About the Authors    p. 129
Abstracts and Keywords    p. 133
Requirements to articles    p. 136

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