| Editor-in-chief’s page |
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ACTUAL PROBLEMS OF MUSICOLOGY
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Alexander V. Markov, Oksana A. Shtayn
Six-level ontology of opera |
р. 10–24 |
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Evgeniya I. Chigareva
Reflections on the reception of Alfred Schnittke’s works:
On the anniversary of the composer |
р. 25–40 |
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Maya I. Shinkareva
The concept of polyphony in the thesaurus of sciences:
History and meanings |
р. 41–50 |
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FROM THE HISTORY OF FOREIGN MUSICAL CULTURE
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Alexandr I. Demchenko
Discovering the Baroque era |
р. 51–61 |
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Aleksei N. Vaker
Stylistic search of Ferruccio Busoni
in example of his six sonatinas for piano (1910–1920) |
р. 62–73 |
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FROM THE HISTORY OF RUSSIAN MUSICAL CULTURE
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Ksenia V. Parnikova
M. Weinberg’s «Jewish songs» as a reflection
of military and children’s themes in the composer’s work |
р. 74–88 |
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Ivan D. Porshnev
«I will be happy to work at your ballet»:
the scenario «Laurencia» by Evgeniy Mandelberg and Dmitry Shostakovich |
р. 89–100 |
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PERFORMING ARTS
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Yulia V. Glazkova
Informed performer vs informed performance:
on the issue of terminology of the concept |
р. 101–110 |
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Mikhail S. Agin
The functional role of the falsettomixed manner of sound production
in the process of mixed voice formation development |
р. 111–123 |
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Mikhail M. Putkov
Organological evolution of timpani construction
in the XIX century in the classical orchestra |
р. 124–133 |
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ARCHIVES
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Ilias R. Hananov
«When Moszkowski became affordable»
(from the correspondence between M. Moszkowski and M. Abraham) |
р. 134–143 |
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| Requirements for articles |
р. 144 |
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