Issue 2019 №4(31)

20th Century Music

Yulia Veksler. On the history of the term «atonality» in the first third of the twentieth century   p. 5–14

Elena Potiarkina. Creative dialogues: I. Stravinsky and J. Point’s. Stage embodiment of symphonic fantasy «Fireworks» in Diaghilev’s enterpris   p. 15–21

Contemporary Music

Irina Snitkova. The Phenomenon of niente in the music of Salvatore Sciarrino   p. 22–28

Evgenia Chigareva. «London Divertissements» by Grigory Korchmar: The reception of Mozart in Russia   p. 29–38

Questions of Music Theory

Vitaly Aleev. On Rachmaninoff’s harmony in works of major form: Third piano concerto   p. 39–44

The Modern Musical Theater

Evgenia Artemova. Opera performance in Moscow: current trends   p. 45–54

.From the History of Musical Culture Abroad

Tatiana Basmanova. M. Ravel’s Daphnis and Chloé choreographic symphony: symphonic principles as a foundation of musical dramatic composition of a french ballet show   p. 55–72

.From the History of Russian Musical Culture

Natalia Govar. Synthesis of word and music in piano suites by N. Cherepnin and V. Shcherbachev   p. 73–87

Musical Culture of the Peoples of the World

Tamila Djani-zade. Approaching the musical history of Islamic civilization   p. 88–95

Events

Irina Susidko, Nina Pilipenko. Opera at the intersection of history and modernity   p. 96–104

Musical Archives

Anna Avdeeva, Nora Potemkina, Vladimir Tropp. Correspondence of R. M. Glier with the Gnessin family. Part three   p. 105–126

Complete text of the issue