Issue 2020 №1(32)
CONTENTS
From the History of Russian Musical Culture |
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Petr Klimov. Tchaikovski’s unfinished symphony: History and contemporality p. 5–20 |
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The Musical Theater |
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Natela Enukidze. Stravinsky’s «Mavra»: On the Verge of Stylization and Parody p. 21–31 |
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Anna Navetnaya. The Principles of Musical Composition in Bela Bartok’s Ballet «The Wooden Prince» p. 32–41 |
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Alexander Naumov. Unknown Gliere’s Ballet? «Cleopatra» in the Musical Studio of Moscow Art Theatre (1925) p. 42–51 |
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20th Century Music |
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Guram Machavariani. Derek Bailey and the Concept of Free Improvisation in Contemporary Music p. 52–59 |
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Natalia Devutskaya. Existential Echo of Determination in a Triad of post-war Piano Sonatas M. Weinberg p. 60–78 |
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Questions of Music Theory |
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Luciano Berio. Poésie et musique — une experience. Translated from French by A. Nikulina p. 79–90 |
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Musical Education |
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Oleg Teryaev. On the development of musical abilities in the context of modern musical culture p. 91–101 |
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Irina Zakharbekova. Lessons оf Vera Dmitrievna Nyrkova p. 102–108 |
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Leonid Bomshtein. Preparing students of academic vocal departments to work on the international Оpera stage p. 109–117 |
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| About the Authors p. 118 | |
| Abstracts and Keywords p. 126 | |
| Requirements to articles p. 131 | |
