| Editor-in-chief’s page |
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| MUSIC PEDAGOGY |
Avgusta V. Malinkovskaya
From the history of the Gnesin Music School.
About the masters who taught students to «think and act» |
р. 10–26 |
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Alexander V. Naumov
S. V. Rachmaninov in the D. V. Zhitomirsky’s materials from the 1930s–1950s |
р. 27–38 |
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| MUSICAL SEMIOTICS |
Vera B. Valkova
About two types of ironic statements in music |
р. 39–52 |
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| SACRED MUSIC |
Аnastasiia V. Kuzkina
Kievan chant in the modern Church singing tradition |
р. 53–68 |
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| FROM THE HISTORY OF FOREIGN MUSICAL CULTURE |
Anastasia G. Mashargina
Johann Friedrich Reichardt and his journal «Musikalisches Kunstmagazin» |
р. 69–86 |
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| MUSICAL THEATER |
Kimol A. Breitburg, Valeria V. Breitburg
Musical Theatre in the Age of Turbulence:
Issues, Trends and Predictions |
р. 87–99 |
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MUSIC OF THE 20th CENTURY
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Adam A. Khagba
The Abkhazian School of Composition.
On the Problem of Composition |
р. 100–111 |
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Natalia V. Khorobrykh, Anastasia A. Maltseva
«Tariverdiev» intonation: observations on the intonational nature
of M. Tariverdiev’s instrumental concerts |
р. 112–123 |
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PERFORMING ARTS
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Maria A. Oselkova
«Songs of a Wayfarer»: Mahler’s orchestral thinking
in the performance practice of an accompanist |
р. 124–139 |
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Nikita A. Govorov
Concerto for Balalaika and Orchestra
in the Works of Efrem Podgaits: Stylistics of the Genre |
р. 140–151 |
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| EVENTS |
Yaroslav V. Gloushakov
Mediacomposition at the Gnesins’ Institution |
р. 152–158 |
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| Requirements for articles |
р. 159 |
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