Issue 2018 №3(26)
CONTENTS
Anniversaries |
|
Tatiana Naumenko. Levon Akopyan: «If our word is not empty, we do not live in vain» p. 4–14 |
|
Metadata | Full text of the article |
Musical Education |
|
Dina Kirnarskaya. How to raise a successful musician? Self-efficacy and its formation in the family p. 15–24 |
|
Metadata | Full text of the article |
From the History of Musical Culture Abroad |
|
Evgenia Chigareva. «Unknown» Mozart: «London Sketchbook» by an Eight-Year Old Composer (music of childhood and breakthrough into Eternity?) p. 25–45 |
|
Metadata | Full text of the article |
Elena Vyazkova. Some hypotheses concerning J.S. Bach’s creative process p. 46–55 |
|
Metadata | Full text of the article |
Olga Poroshenkova. «Cave Tropone» A. Salieri to a libretto by G. Casti: about reason and feeling in the educational era p. 56–65 |
|
Metadata | Full text of the article |
Musical Semiotics |
|
Irina Stogniy. Musical work in the light of the theory of connotation p. 66–79 |
|
Metadata | Full text of the article |
From the History of Russian Musical Culture |
|
Alexandra Maximova, Anna Pastushkova. Сaterino Сavos’s opera «Ivan Susanin» p. 80–96 |
|
Metadata | Full text of the article |
Events |
|
Irina Susidko, Pavel Lutsker. Russian-Italian Musical Relations: a Scientific Forum on Background of Alps p. 97–101 |
|
Metadata | Full text of the article |
Books |
|
Natalia Gulyanitskaya. The review on the book by Tatiana Naumenko «Textological Aspects of Musicology in Russia and the Former Soviet Union» p. 102–105 |
|
Metadata | Full text of the article |
About the Authors p. 107 | |
Abstracts and Keywords p. 111 | |
Requirements to articles p. 113 | |