Issue 2018 №4(27)

Sacred Music

Tatiana Starostina. About the modal organization of glasovy tunes Russian Orthodox Church   p. 4–15

Contemporary Music

Marina Pereverzeva. Aleatory compositions on the basis of the traditional principles of the organization   p. 16–30

Diana Kitsenko. The technique of parody in the «Agnus Dei cum Recordatione» of Klaus Huber   p. 31–39

Vera Vorontsova. «Where we are not» — on genre style of Anton Batagov’s musical letters   p. 40–47

20th Century Music

Vitaliya Khoroshavina. A Sacred concerto by N. Sidelnikov is in the aspect of interpretation of genre   p. 48–55

Musical Culture of the Peoples of the World

Anastasia Patoshina. Abstract from the history of phonographic records of folklore in Russia of the late XIX — early XX centuries   p. 56–65

Musical Semiotics

Irina Stogny. Musical semiologiya: history and practical importance   p. 66–74

Pages from the History of Opera

Natela Enukidze. Romantic Opera in a distorting mirror parody: from the history of comic Wagnerian   p. 75–85

Events

Tatiana Naumenko. «Music science in the context of culture»: about the international conference at the Gnesin Russian Academy of music   p. 86–89

Musical Archives

Valentina Rubtsova. N.S. Zhilyayev as the editor of A.N. Scriabin’s compositions   p. 90–91

Books

Elena Alkon. Review of the monograph by T.V. Tsaregradskaya «Musical gesture in space of modern composition»   p. 92–95

Complete text of the issue