2023 №3(46)
СОДЕРЖАНИЕ Страница главного редактора ЮБИЛЕЙ В. Б. Валькова Научные собрания в честь юбилея С. В. Рахманинова ...
Автор: editor
Issue 2023 №2(45)
2023 №2(45) CONTENTS Editor-in-chief page Full text of the article FROM RUSSIAN HISTORY MUSICAL CULTURE Vera Val’kova On the history of S.V. Rachmaninov’s emigration: 1917–1918 ...
An offering to Composer. Review of the monograph «Rachmaninoff’s style»
Book Review DOI: 10.56620/2227-9997-2023-3-142-145 Inna M. Romashchuk Ippolitov-Ivanov State Musical Pedagogical Institute, Moscow, Russia, inna.49@mail.ru, https://orcid.org/0000-0001-9101-630Х Abstract: The article is a review of the collective monograph «Rachmaninoff’s Style», published on the 150th anniversary of...
Anniversary of S. V. Rachmaninoff. New editions
Review Article DOI: 10.56620/2227-9997-2023-3-136-141 Valentina V. Rubtsova Publishing house «Musyka», Moscow, Russia, sternlibra@hotmail.com, https://orcid.org/0000-0002-1079-4209 Abstract: The article highlights the 2023 jubilee year (150th anniversary of birth) publications of S. V. Rachmaninoff’s creative heritage, both literary...
«The Well-tempered clavier» by J. S. Bach: harpsichord, clavichord, organ, piano
Original article DOI: 10.56620/2227-9997-2023-3-124-135 Natalia M. Smirnova Saratov State Conservatoire, Saratov, Russia, nat.m.smirnova@gmail.com, https://orcid.org/0000-0003-2964-6027 Abstract: The article is devoted to the interpretation of «The Well-tempered Clavier» as one of the most popular works by...
On the ways of representing the Chinese style in etudes for piano
Original article DOI: 10.56620/2227-9997-2023-3-112-123 Elena M. Alkon Gnesin Russian Academy of Music, Moscow, Russia, e.alkon@gnesin-academy.ru, https://orcid.org/0000-0003-4701-2378 Qin Chuying Gnesin Russian Academy of Music, Moscow, Russia, chuin.cin@gnesin-academy.ru, https://orcid.org/0009-0002-3969-6570 Abstract: The authors focus...
Rachmaninoff. Immersion in the element of feelings (anthropological aspect)
Original article DOI: 10.56620/2227-9997-2023-3-106-111 Elena M. Alkon Gnesin Russian Academy of Music, Moscow, Russia, e.alkon@gnesin-academy.ru, https://orcid.org/0000-0003-4701-2378 Abstract: Based on the anthropological approach of A. Ya. Roginsky, the author singles out the triad of composers-contemporaries:...
Caesar Pugni: New to the creative biography. The composer’s activity on the concert stage of the summer gardens of St. Petersburg and Moscow
Original article DOI: 10.56620/2227-9997-2023-3-96-105 Olga A. Fedorchenko Russian Institute for the History of the Arts, Saint Petersburg, Russia, olgafedorcenco@gmail.com, https://orcid.org/0000-0001-5812-6675 Abstract: The subject of this article is the composing and conducting activity of Caesar...
Harp cadences in Tchaikovsky’s ballets. Stage fate and questions of authorship of the text
Original article DOI: 10.56620/2227-9997-2023-3-83-95 Maria A. Fedorova Tchaikovsky Moscow State Conservatory, Moscow, Russia, masharpha@yandex.ru, https://orcid.org/0009-0006-0994-2389 Abstract: The article is devoted to the harp cadences of three ballet opuses by P. I. Tchaikovsky, as well as...
I. A. Vsevolozhsky’s contribution to the evolution of ballet costume of the academic era
Original article DOI: 10.56620/2227-9997-2023-3-66-82 Olga S. Arno Vaganova Ballet Academy, Saint-Petersburg, Russia, olgaarno@hotmail.com, https://orcid.org/0009-0007-0680-2257 Abstract: The subject of the study is the work of I. A. Vsevolozhsky as the creator of ballet costumes. The costumes...
