Review article DOI: 10.56620/2227-9997-2026-3-140-151 Nikita A. Govorov Gnesin Russian Academy of Music, Moscow, Russia, nikita_govorov98.98@mail.ru, https://orcid.org/0009-0004-9615-764X Abstract: The aim of the article is to identify the stylistic features of the concerto genre in E....
Review article DOI: 10.56620/2227-9997-2026-3-124-139 Maria A. Oselkova Gnesin Russian Academy of Music, Moscow, Russia, oselkova@mail.ru, https://orcid.org/0009-0001-1357-2134 Abstract: The subject of this study is the performance-specific features of Gustav Mahler’s chamber vocal music in relation...
Review article DOI: 10.56620/2227-9997-2026-2-124-133 Mikhail M. Putkov Gnesin Russian Academy of Music, Moscow, Russia, 1948.90@List.ru, https://orsid.org/0009-0003-0945-7218 Abstract: In the XIX century, the construction of the timpani, one of the most popular percussion instruments in...
Review article DOI: 10.56620/2227-9997-2026-2-111-123 Mikhail S. Agin Gnesin Russian Academy of Music, Moscow, Russia, 1948.90@List.ru, https://orsid.org/0009-0003-0945-7218 Abstract: The article provides a brief analysis of existing theories of voice formation and their role in the...
Review article DOI: 10.56620/2227-9997-2026-2-101-110 Yulia V. Glazkova St. Petersburg State Rimsky-Korsakov Conservatory, St. Petersburg, Russia, july-yufereva@mail.ru, https://orcid.org/0000-0001-6348-2551 Abstract: Following a significant rethinking of the philosophy and ideals of musical authenticity, the concept of the...
Review article DOI: 10.56620/2227-9997-2026-1-87-94 Elena I. Ponomareva S. Rachmaninov Rostov State Conservatory, Rostov-on-Don, Russia, ponomareva20878@mail.ru, https://orcid.org/0000-0001-5779-4524 Abstract: The article is devoted to R. Glier’s chamber vocal heritage which to be examined in the aspect...
Original article DOI: 10.56620/2227-9997-2025-4-132-142 Yulia V. Glazkova N. A. Rimsky-Korsakov Saint Petersburg State Conservatory, Saint Petersburg, Russia, july-yufereva@mail.ru, https://orcid.org/0000-0001-6348-2551 Abstract: The wide introduction of historical performance practices into the contemporary art of musical interpretation...
Personalities DOI: 10.56620/2227-9997-2025-3-97-109 Marina M. Podguzova Tchaikovsky Moscow State Conservatory, Moscow, Russia, marina.podguzova@gmail.com, https://orcid.org/0000-0002-8397-477X Abstract: The article is dedicated to the artistic activity of the outstanding harpist of the Italian opera, the Bolshoi and...
Personalities DOI: 10.56620/2227-9997-2025-3-85-96 Lyubov A. Buryakova A. P. Chekhov Taganrog Institute (branch), Rostov State University of Economics (RINH), Taganrog, Russia, l.bevza@mail.ru, https://orcid.org/0000-0002-5783-1556 Abstract: The article is devoted to the activities of the outstanding bayan player...
Original article DOI: 10.56620/2227-9997-2025-2-94-114 Sergey Ya. Vartanov L. V. Sobinov Saratov State Conservatory, Saratov, Russia, varser@mail.ru, https://orcid.org/0000-0002-4936-7132 Abstract: This article is devoted to the fundamental problem of constructing a theory of performing interpretation based...
