Original article DOI: 10.56620/2227-9997-2026-3-87-99 Kimol A. Breitburg Gnesin Russian Academy of Music, Moscow, Russia, 7403336@mail.ru, https://orcid.org/0000-0001-5591-0077 Valeria V. Breitburg Gnesin Russian Academy of Music, Moscow, Russia, 5291685@mail.ru, https://orcid.org/0000-0001-5220-0918 Abstract: This article analyzes...
Review article DOI: 10.56620/2227-9997-2026-1-10-27 Evgeniya G. Artemova Moscow City Pedagogical University, Moscow, Russia, e_art@mail.ru, https://orcid.org/0000-0002-2850-6674 Abstract:Modern opera production is in the process of constant search and transformation — traditional forms of stage art are rethought...
Original article DOI: 10.56620/2227-9997-2025-1-26-40 Yulia P. Medvedeva M. I. Glinka Nizhny Novgorod State Conservatory, Nizhny Novgorod, Russia, jul-medvedeva@yandex.ru, https://orcid 0000-0003-0780-5584 Abstract: Camille Saint-Saëns’s one-act comic opera «The Yellow Princess» (1872) is one of the...
Original article DOI: 10.56620/2227-9997-2024-4-56-69 Alexei A. Vlasov Gnesin Russian Academy of Music, Moscow, Russia, vlasovalexei2010@mail.ru, https://orcid.org/0009-0000-1515-4780 Abstract: The article is devoted to the consideration of the main plot motifs in the parody by the Austrian...
Original article DOI: 10.56620/2227-9997-2024-4-44-55 Alexander I. Demchenko L. V. Sobinov Saratov State Conservatory, Saratov, Russia, alexdem43@mail.ru, https://orcid.org/0000-0003-4544-4791 Abstract: The article is devoted to D. Shostakovich’s opera «The Nose», which is considered in the context of...
Original article DOI: 10.56620/2227-9997-2024-4-34-43 Maria V. Rudko Rimsky-Korsakov Saint- Petersburg State Conservatory, St. Petersburg, Russia, marybelll@yandex.ru, https://orcid.org/0009-0003-6018-6820 Abstract: The article is devoted to the opera triptych «L’Orfeide» by Gian Francesco Malipiero (1882–1973). The author analyzes...
Original article DOI: 10.56620/2227-9997-2024-4-10-33 Evgenia G. Artemova Moscow City Pedagogical University, Moscow, Russia, e_art@mail.ru, https://orcid.org/0000-0002-2850-6674 Abstract: Using the example of a review of new productions of the 2023/2024 season of three Moscow musical theaters, the...
Original article DOI: 10.56620/2227-9997-2024-3-90-102 Marina V. Tsukanova Academy of choral art of V. S. Popov, Moscow, Russia, marina-tsukanova@yandex.ru, https://orcid.org/0009-0007-9028-851X Abstract: The article is dedicated to the 60th anniversary of the creative activity of the...
Original article DOI: 10.56620/2227-9997-2024-3-65-89 Vera I. Besenek Ippolitov-Ivanov State Musical and Pedagogical Institute, Moscow, Russia, veraforte@list.ru, https://orcid.org/0009-0002-5043-2605 Abstract: The article is devoted to the history of F. E. Vitachek’s most ambitious work, the unfinished ballet...
Original article DOI: 10.56620/2227-9997-2024-3-42-64 Alla G. Korobova M. P. Mussorgsky Ural State Conservatory, Yekaterinburg, Russia, 2011korobova@mail.ru, https://orcid.org/0000-0003-3115-4099 Abstract: Glinka’s «A Life for the Tsar» and Meyerbeer’s «Les Huguenots» are two outstanding examples of world opera...
