Ученые записки РАМ имени Гнесиных

Рубрика: FROM THE HISTORY OF RUSSIAN MUSICAL CULTURE

On the textual problem of the editions of Tchaikovsky’s Concerto for Piano and Orchestra No. 2, оp. 44

FROM THE HISTORY OF RUSSIAN MUSICAL CULTURE

On the textual problem of the editions of Tchaikovsky’s Concerto for Piano and Orchestra No. 2, оp. 44

Original article DOI: 10.56620/2227-9997-2024-4-82-99 Eduard A. Dyachenko P. I. Tchaikovsky Moscow State Conservatory, Moscow, Russia, eduard.dyachenko_96@mail.ru, https://orcid.org/0009-0009-3243-1239 Abstract: The article is devoted to the textological problem of the editions of Tchaikovsky’s Concerto No. 2 Op....

M. I. Glinka’s operas in Siberia: musical-critical reception in the regional press of the last third of the XIX century

FROM THE HISTORY OF RUSSIAN MUSICAL CULTURE

M. I. Glinka’s operas in Siberia: musical-critical reception in the regional press of the last third of the XIX century

Original article DOI: 10.56620/2227-9997-2024-4-70-81 Olga A. Svetlova M. I. Glinka Novosibirsk State Conservatory, Novosibirsk, Russian Federation, svetlolga@mail.ru, https://orcid.org/0000-0001-5471-0364 Abstract: The article traces the history of the performance and staging of M. I. Glinka’s operas...

Caesar Pugni: New to the creative biography. The composer’s activity on the concert stage of the summer gardens of St. Petersburg and Moscow

FROM THE HISTORY OF RUSSIAN MUSICAL CULTURE

Caesar Pugni: New to the creative biography. The composer’s activity on the concert stage of the summer gardens of St. Petersburg and Moscow

Original article DOI: 10.56620/2227-9997-2023-3-96-105 Olga A. Fedorchenko Russian Institute for the History of the Arts, Saint Petersburg, Russia, olgafedorcenco@gmail.com, https://orcid.org/0000-0001-5812-6675 Abstract: The subject of this article is the composing and conducting activity of Caesar...