Review article DOI: 10.56620/2227-9997-2026-3-39-52 Vera B. Valkova Gnesin Russian Academy of Music, Moscow, Russia, veraval@yandex.ru, https://orcid.org/0000-0002-5858-0613 Abstract: Irony in music is always hidden, deliberately subtextual, and revealed only through a specific perception. Among all possible...
Original article DOI: 10.56620/2227-9997-2025-4-77-97 Irina S. Stogniy Gnesin Russian Academy of Music, Moscow, Russia, istogniy@mail.ru, https://orcid.org/0009-0000-7140-959Х Abstract: This article attempts to understand the content of F. Poulenc’s vocal cycle «The Artist’s Work,» based on...
Original article DOI: 10.56620/2227-9997-2023-3-106-111 Elena M. Alkon Gnesin Russian Academy of Music, Moscow, Russia, e.alkon@gnesin-academy.ru, https://orcid.org/0000-0003-4701-2378 Abstract: Based on the anthropological approach of A. Ya. Roginsky, the author singles out the triad of composers-contemporaries:...
