Issue2021 №3(38)
2021 №3(38)
CONTENTS
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Editor-in-chief page |
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| Full text of the article |
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Anniversary |
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| Mikhail Imkhanitsky High name — bayanist (to the 75th anniversary of the birth of V.A. Semenov) p. 6–16 |
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Music Theatre |
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| Olga Astakhova The role of Music in the «Biographical» Ballets of the XX-XXI centuries p. 17–31 |
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| Metadata | Full text of the article |
| Danila Lyubimov «Scheherazade» by N. Rimsky-Korsakov — L. Bakst: Haute couture on the Ballet Stage p. 32–39 |
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Sociomusicology |
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| Ekaterina Evstratova Arnold Beklin’s art and program music at the turn of the XIX–XX centuries: Characteristics of works in the aspect of artistic conjuncture p. 40–51 |
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From the History of Foreign Musical Culture |
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| Alexander Demchenko A Great Thinker p. 52–57 |
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| Metadata | Full text of the article |
| Olga Moskvina R. Strauss’s symphonic poem «Don Quixote»: Problems of genre synthesis p. 58–69 |
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From the History of Russian Music Culture |
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| Alexander Zvonov Applied Functionality of russian military songs of the XIX century p. 70–84 |
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| Metadata | Full text of the article |
| Vera Yudina Viktor Sergeevich Kalinnikov. Chronography of fate p. 85–95 |
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XX century Music |
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| Sergej Bulanov Genre originality of Rodion Shchedrin’s opera «Not Love alone» p. 96–103 |
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Music Culture Peoples of the World |
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| Xian Leyun Features of the fugue presentation in the symphonic works of the chinese composer Wang Xilin p. 104–114 |
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| About the Authors p. 115 | |
| Abstracts and Keywords p. 118 | |
| Requirements to articles p. 129 | |
