Review article DOI: 10.56620/2227-9997-2026-2-62-73 Aleksei N. Vaker Gnesin Russian Academy of Music, Moscow, Russia, aleksei1991v@yandex.ru, https://orcid.org/0009-0009-2011-907X Abstract: The article is devoted to six sonatinas for piano by Ferruccio Busoni written in 1910–1920. Their examples...
Review article DOI: 10.56620/2227-9997-2026-2-51-61 Alexandr I. Demchenko Saratov State Conservatory L. V. Sobinov, Saratov, Russia, alexdem43@mail.ru, http://orcid.org/0000-0003-4544-4791 Abstract: C. Monteverdi’s creative legacy, despite 400 years of distance from us in time, in many respects retains...
Review article DOI: 10.56620/2227-9997-2026-1-78-86 Valentina A. Kramer Gnesin Russian Academy of Music, Moscow, Russia, fmanticore@mail.ru, https://orcid.org/0009-0001-7525-8124 Abstract: The article is devoted to the keyboard fantasies of F. E. Bach and G. Telemann, composers whose works...
Review article DOI: 10.56620/2227-9997-2026-1-69-77 Yulia I. Agisheva Gnesin Russian Academy of Music, Moscow, Russia, y. agisheva@gnesin-academy.ru, https://orcid.org/0000-0003-0317-1270 Abstract: The paper will take a brief excursion into the British history of a genre “burletta” which...
Original article DOI: 10.56620/2227-9997-2025-4-120-131 Aleksei N. Vaker Gnesin Russian Academy of Music, Moscow, Russia, aleksei1991v@yandex.ru https://orcid.org/0009-0009-2011-907X Abstract: The article is devoted to the music of Philipp Jarnach, the German composer of French origin. The Neoclassical...
Original article DOI: 10.56620/2227-9997-2025-3-35-49 Tatiana R. Bochkova M. I. Glinka Nizhny Novgorod State Conservatory, Nizhny Novgorod, Russia, tatyanab31@yandex.ru, https://orcid.org/0000-0002-9382-6711 Abstract: The author of the article focuses on the figure of Joseph Jonghen (1873–1953), a talented Belgian...
Original article DOI: 10.56620/2227-9997-2025-1-90-108 Svetlana B. Bubeeva Gnesin Russian Academy of Music, Moscow, Russia, bubeeva96@mail.ru, https://orcid.org/0009-0007-8059-0053 Abstract: The article is devoted to several works by C. Dittersdorf, written during the Viennese period in 1786–1789,...
Original article DOI: 10.56620/2227-9997-2025-1-78-89 Valentina A. Kramer Gnesin Russian Academy of Music, Moscow, Russia, fmanticore@mail.ru, https://orcid.org/0009-0001-7525-8124 Abstract: The article is devoted to the phenomenon of musical improvisation in the Baroque era. Different approaches of...
Original article DOI: 10.56620/2227-9997-2024-3-103-114 Alexandra V. Ustyugova Institute of Fine Arts Moscow Pedagogical State University, Moscow, Russia, uav80@mail.ru, orcid 0000-0002-2604-6897 Abstract: The article is devoted to a textual analysis of the autograph of J....
Original article DOI: 10.56620/2227-9997-2024-2-53-65 Elizaveta A. Shavyrina Gnesin Russian Academy of Music, Moscow, Russia, littleskur@gnesin-academy.ru, https://orcid.org/ 0009-0007-2237-8660 Abstract: The article examines the influence of the ideas of Pan-Slavism on the culture of Czechia at...
