Issue 2021 4(39)
CONTENTS
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Editor-in-chief page |
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The Interview |
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| Monopoly on talent. Dina Kirnarskaya’s interview with Alexander Ryzhinsky, the rector of the Gnessins Russian Academy of Music p. 6–19 |
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| Metadata | Full text of the article |
From the History of Foreign Musical Culture |
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| Vladimir V. Tropp From the unpublished legacy of R.K. Shirinyan p. 20–23 |
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| Metadata | Full text of the article |
| Ruzana Shirinyan Haydn ‘s London Symphonies p. 24–40 |
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| Metadata | Full text of the article |
The Musical Theatre |
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| Evgenia Artemova Opera productions of Moscow theaters in the era of the pandemic: Problems and solutions p. 41–53 |
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The Musical Semiology |
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| Vera Sadokova «Crime and punishment» by F.M. Dostoevsky and the «Queen of Spades» by P.I. Tchaikovsky: Correspondences in the context of liminal poetics p. 54–68 |
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| Irina Stogniy The musical and poetic world of G. Sviridov’s poem «The Departed Russia»: On the problem of artistic concepts p. 69–82 |
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The Performing Arts |
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| Tatiana Levitina Musical memory and its specifics in the work of a pianist p. 83–94 |
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| Metadata | Full text of the article |
Musical Archives |
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| Nina Evdokimova The first dissertation council in the Urals in the specialty «Musical Art» (1942–1944) p. 95–104 |
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| Sergey Anikienko Cohort of the first: The composers of Ekaterinodar of the late XIX — early XX century p. 105–115 |
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| Metadata | Full text of the article |
Books |
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| Valentina Rubtsova Review of A. Ryzhinsky’s book «Choral music of the Post-war Avant-garde» p. 116–120 |
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| Metadata | Full text of the article |
| About the Authors p. 121 | |
| Abstracts and Keywords p. 128 | |
| Requirements to articles p. 132 | |
