2020 №4(35)
Issue 2020 №4(35)
CONTENTS
From the History of Russian Musical Culture |
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| Valentina Rubtsova Scriabin’s early writings. At the origins of the style p. 6–11 |
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From the History of foreign Musical Culture |
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| Vyacheslav Esakov The sonatas of Johann Christian Bach for clavier accompanied by violin or flute in the context of becoming chamber performance p. 12–22 |
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| Pavel Lutsker Cyprian de Rore as the forerunner of seconda pratica p. 23–40 |
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Opera Theatre |
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| Alexander Matusevich St. Petersburg opera season: Pluralism of musical styles and director’s ideas p. 41–52 |
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XX century Music
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| Ludmila Korchinskaya Passacaglia in the works of P. Hindemith by example Sonatas for cello and piano (1948) p. 53–64 |
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The Modern Music |
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| Inga Presnyakova, Elizabeth Voshchilo Jacques Lousier: Specifics of the transformation method in jazz transcriptions of works by J. S. Bach p. 65–73 |
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Music of the Peoples of the World |
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| Jani-zade Tamil Ethnic, national and civilizational identities in the musical culture of Pre-Soviet and Soviet Central Asia p. 74–81 |
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Music Archives |
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| Svyatoslav Golubenko The beginning of the 1941/1942 academic year at the Moscow Conservatory p. 82–89 |
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From the Memorial Museum-apartment El. F. Gnesina funds |
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| Andrey Gaponov, Nora Potemkina, Vladimir Tropp Activities of the Charade committee at the Gnessin Moscow State Music Technical school p. 90–109 |
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Books |
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Elena Alkon |
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| About the Authors p. 115 | |
| Abstracts and Keywords p. 119 | |
| Requirements to articles p. 128 | |
