Issue 2022 №2(41)
CONTENTS
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Editor-in-chief page |
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| Full text of the article |
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Actual problems of musicology |
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| Natalia Gulyanitskaya About the Harmony Course: what and how p. 6–15 |
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| Metadata | Full text of the article |
From the History of Foreign Musical Culture |
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| Ruzanna Shirinyan Notes on Schubert ‘s Piano Work p. 16–28 |
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| Metadata | Full text of the article |
The Musical Theatre |
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| Alexander Matusevich Modern Opera Practice: Problems of Director’s interpretation and Audience perception of Opera p. 29–37 |
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| Metadata | Full text of the article |
From the History of Russian Musical Culture |
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| Daniil Topilin S.I. Taneev. Supra-religious cosmisms p. 38–48 |
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| Metadata | Full text of the article |
XX century Music |
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| Olga Moskvina Biedermeier’s motives in the Symphonic works of R. Strauss: On the Example of the «Alpine Symphony» p. 49–58 |
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| Metadata | Full text of the article |
| Vladimir Shkurovsky Interpretation of the Timbres of the Symphony orchestra in «Three Romanian Dances» by Theodore Rogalski p. 59–67 |
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| Metadata | Full text of the article |
Contemporary music |
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| Inessa Dvuzhilnaya The Existential of Hope in the Symphonic paintings «Atiqua» by Mikhail Gluz p. 68–78 |
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| Metadata | Full text of the article |
Archives |
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| Alexandra Ustyugova Questions of Instrumental musical notation Notes from the Manuscript of «Kirsha Danilov’s Collection» p. 79–88 |
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| Metadata | Full text of the article |
The Performing Arts |
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| Ekaterina Lopatova, Sergei Lopatov Instrumental Universalism: Past, Present and Future (Based on an Interview with M.I. Imkhanitsky) p. 89–97 |
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| Metadata | Full text of the article |
Musical Education |
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| Anna Shalaeva Historical aspects of Vocal Academic Education and Pedagogy in China of the XX — early XXI centuries: Problems and Prospects p. 98–108 |
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| Metadata | Full text of the article |
| About the Authors p. 109 | |
| Abstracts and Keywords p. 117 | |
| Requirements to articles p. 122 | |
