| Editor-in-chief’s page |
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FROM THE HISTORY OF RUSSIAN MUSICAL CULTURE
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Tatiana Yu. Maslovskaya
Konyus: between Russia and France |
р. 10–20 |
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Natalia S. Gulyanitskaya
Unknown composer. Notes |
р. 21–25 |
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MUSICAL THEATER
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Yulia P. Medvedeva
At the origins of musical Japanism:
facets of the oriental in Saint-Saëns’ opera «The Yellow Princess» |
р. 26–40 |
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MUSICAL INSTRUMENTS
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Valery V. Berezin
Serpent in Louis Joseph Francker’s treatise
«The basic range of all wind instruments» |
р. 41–51 |
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Valeria A. Kukhta
On the issure of classification of non musical sounding objects
through the prism of organology |
р. 52–61 |
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ETHNOMUSICOLOGY ISSUES
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Varvara P. Kalyuzhnaya
Church component in the calendar tradition
of the south-eastern districts Kaluga region |
р. 62–77 |
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FROM THE HISTORY OF FOREIGN MUSIC
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Valentina A. Kramer
The art of improvisation and the genre of fantasy in the Baroque era |
р. 78–89 |
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Svetlana B. Bubeeva
Intonation relations in Carl Dittersdorf’s opera and singspiels |
р. 90–108 |
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MUSIC EDUCATION
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Mikhail S. Agin
On the natural features of the speaking and singing voice |
р. 109–120 |
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| Requirements for articles |
р. 121 |
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