Original article DOI: 10.56620/2227-9997-2025-2-94-114 Sergey Ya. Vartanov L. V. Sobinov Saratov State Conservatory, Saratov, Russia, varser@mail.ru, https://orcid.org/0000-0002-4936-7132 Abstract: This article is devoted to the fundamental problem of constructing a theory of performing interpretation based...
Original article DOI: 10.56620/2227-9997-2025-2-79-93 Elena Yu. Bagrova Gnesin Russian Academy of Music, Moscow, Russia, bagrova.e@gmail.com, https://orcid.org/0009-0008-4655-3416 Abstract: The article considers examples of the use of multinational folklore in M. F. Gnesin`s chamber-instrumental compositions: from...
Review Article DOI: 10.56620/2227-9997-2024-2-104-120 Sergey Ya. Vartanov L. V. Sobinov Saratov State Conservatory, Saratov, Russia, varser@mail.ru, https://orcid.org/0000-0002-4936-7132 Abstract: The article is devoted to a fundamental problem: the construction of a theory of performance interpretation....
Original article DOI: 10.56620/2227-9997-2023-4-154-163 Larisa S. Zorilova Gnesin Russian Academy of Music, Moscow, Russia, l.zorilova@gnesin-academy.ru, https://orcid.org/0009-0007-5372-2751 Olga E. Shilova Gnesin Russian Academy of Music, Moscow, Russia, shilovaolga70@mail.ru, https://orcid.org/0009-0008-9714-2609 Abstract: The article is...
Original article DOI: 10.56620/2227-9997-2023-3-124-135 Natalia M. Smirnova Saratov State Conservatoire, Saratov, Russia, nat.m.smirnova@gmail.com, https://orcid.org/0000-0003-2964-6027 Abstract: The article is devoted to the interpretation of «The Well-tempered Clavier» as one of the most popular works by...
