Editor-in-chief page |
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ANNIVERSARY
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Mikhail S. Burlakov
Kirill Volkov: «Some intonations or folk themes determined the main mood p. 10–32
of a whole segment of my life…» (interview with the composer) |
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MUSIC OF THE XX CENTURY
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Valentina V. Rubtsova
On the poetic text structure p. 33–38
of Alexander Scriabin’s «L’acte préalable» |
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Yulia S. Veksler
Narrative and narrativity in Alban Berg’s «Lyriс suite» p. 39–55 |
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MUSICAL THEATRE
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Nina V. Pilipenko
«Cendrillon», «Cenerentola», and «Agatina»: Plot structure and composition p. 56–69
in operas by Nicolò Izouard, Stefano Pavesi and Gioachino Rossini |
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Yulia P. Medvedeva
East and West in opera narratives of the 20th century: p. 70–80
from collisions to mirror images |
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Nguyen Khac Hoa, Yuri V. Vasiliev
Folk theater of Vietnam p. 81–95
as the predecessor of the national Vietnamese opera |
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MUSICAL GENRES AND FORMS
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Evgeny I. Chigareva
Word and music: the genre the authorial song p. 96–124
(based on the example of the work by Vladimir Ilyushenko) |
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EVENTS
ROUNDTABLE MATERIALS OF THE CONFERENCE «MUSICAL COMPOSITION: NARRATIVE VS ARCHITECTONICS»
(APRIL 18–20, 2023, GNESSIN RUSSIAN ACADEMY OF MUSIC)
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Tatiana N. Krasnikova
«Die Welt durchaus ist lieblich anzuschauen…». Notes about the 5th International academic p. 125–132
conference «Musical composition: narrative vs. architectonics» |
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Nina V. Pilipenko
On the systematization of scenic topoi p. 133–140 |
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Inna M. Romashchuk
On the logic of the «ideal narrative» p. 141–144 |
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Augusta V. Malinkovskaya
Narrative and architectonics in the performing and educational aspect p. 145–148 |
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Elena M. Alkon
The musical text as a «secret behind seven seals», p. 149–153
or Peculiarities in composition and narrative as a «special invitation» |
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PERFORMING ARTS
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Larisa S. Zorilova, Olga E. Shilova
The spiritual and creative world of M. V. Yudina p. 154–163
and its reflection in her performing activities |
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BOOKS
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Inna M. Romashchuk
«Time scale» in the realm of musical culture p. 164–168 |
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Requirements for articles p. 170 |
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Full text of the article
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