Original article DOI: 10.56620/2227-9997-2023-4-81-95 Nguyen Khac Hoa Gnesin Russian Academy of Music, Moscow, Russia, khachoavocal@gmail.com, https://orcid.org/0009-0007-3356-0564 Yuri V. Vasiliev Gnesin Russian Academy of Music, Moscow, Russia, muzklin@gmail.com, https://orcid 0000-0002-1494-3451 Abstract: The article...
Original article DOI: 10.56620/2227-9997-2023-4-70-80 Yulia P. Medvedeva M. I. Glinka Nizhny Novgorod State Conservatory, Nizhny Novgorod, Russia, jul-medvedeva@yandex.ru, https://orcid 0000-0003-0780-5584 Abstract: The article is devoted to the evolution of the perception and implementation of the...
Original article DOI: 10.56620/2227-9997-2023-4-56-69 Nina V. Pilipenko Gnesin Russian Academy of Music, Moscow, Russia, n_pilipenko@mail.ru, https://orcid.org/0000-0002-5307-7197 Abstract: The purpose of the presented article is to compare the librettos of three operas: «Cendrillon» by Nicolò...
Original article DOI: 10.56620/2227-9997-2023-3-66-82 Olga S. Arno Vaganova Ballet Academy, Saint-Petersburg, Russia, olgaarno@hotmail.com, https://orcid.org/0009-0007-0680-2257 Abstract: The subject of the study is the work of I. A. Vsevolozhsky as the creator of ballet costumes. The costumes...
Original article DOI: 10.56620/2227-9997-2023-3-57-65 Mariya V. Rudko Rimsky-Korsakov Saint-Peterburg State Conservatory, St. Petersburg, Russia, marybelll@yandex.ru, https://orcid.org/0009-0003-6018-6820 Abstract: The article is devoted to the description of the creative process accompanying the appearance of scenography of...
