Original article DOI: 10.56620/2227-9997-2025-4-69-76 Tatyana N. Krasnikova Gnesin Russian Academy of Music, Moscow, Russia, krasnikova-tn2016@yandex.ru, htpps://orcid/org/0000-0002-9538-374X Abstract: The article reveals the features of the interpretation of the genre of G. V. Chernov’s Seventh Symphony,...
Original article DOI: 10.56620/2227-9997-2025-4-55-68 Tatyana V. Tsaregradskaya Gnesin Russian Academy of Music. Moscow, Russia, tania-59@mail.ru, https://orcid.org/0000-0002-8436-712X Abstract: The article examines the poetics of the titles of one of the most prominent and well-known contemporary...
Original article DOI: 10.56620/2227-9997-2025-3-50-61 Roman A. Malyavkin Gnesin Russian Academy of Music, Moscow, Russia, romanmalyavkin@yandex.ru, https://orcid.org/0009-0008-5767-1303 Abstract: This article examines the cycle «Acoustic and Spatial Mirages» by the contemporary Moscow composer Olga Bochikhina, whose...
Original article DOI: 10.56620/2227-9997-2024-1-103-115 Elizaveta А. Zolotukhina Ippoliton-Ivanov State Musical Pedagogical Institute, Moscow, Russia, elizzolotuhina@mail.ru, https://orcid.org/0009-0000-7788-9774 Abstract: The genre of piano concerto by Russian composers of the second half of the 20th and the...
Original article DOI: 10.56620/2227-9997-2024-1-83-102 Olga A. Putecheva Kuban Medical Institute, Krasnodar, Russia, putecheva.olga@mail.ru , https://orcid.org/0000-0003-2812-8981 Abstract: The subject of this article is one of the vast compositions of the Moscow composer A. Bakshi, «Polyphony of...
