Issue 2022 №4(43)
2022 №4(43)
CONTENTS
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Editor-in-chief page |
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| Full text of the article |
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Anniversary |
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| Tatiana Naumenko «Musicology is a Complex phenomenon…» From conversations with Natalia Sergeevna Gulyanitskaya p. 6–11 |
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| Metadata | Full text of the article |
Events |
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| Nina Pilipenko, Irina Susidko Ballet in the focus of scientific research p. 12–19 |
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| Metadata | Full text of the article |
Epochs and styles |
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| Irina Stogniy Chorale «Es ist genug»: from J.S. Bach to E. Denisov p. 20–32 |
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| Metadata | Full text of the article |
| Nina Pilipenko «Mio ben ricordati» by Franz Schubert and Mikhail Glinka: to the problem of «own» and «alien» p. 33–44 |
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| Metadata | Full text of the article |
Musical Theatre |
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| Dana Nagina Digital opera projects by Dmitry Otyakovsky p. 45–52 |
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| Metadata | Full text of the article |
From the History of Foreign Musical Culture |
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| Anastasia Maltseva The emergence of the list of figures of Meinrad Spiess in the musical and scientific context of the epoch p. 53–64 |
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| Metadata | Full text of the article |
Music of the 20th century |
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| David R. Kauffman The theory of silence Translated from English by A.N. Lipov p. 65–73 |
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| Metadata | Full text of the article |
Music genres and forms |
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| Evgenia Chigareva Poet Vladimir Ilyushenko: poetry and music p. 74–90 |
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| Metadata | Full text of the article |
Performing arts |
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| Marina Podguzova Albert Genrikhovich Zabel — harpist of the imperial theaters p. 91–103 |
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| Metadata | Full text of the article |
| About the Authors p. 104 | |
| Abstracts and Keywords p. 110 | |
| Requirements to articles p. 115 | |
