Issue 2022 №3(42)
2022 №3(42)
CONTENTS
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Editor-in-chief page |
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| Full text of the article |
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The Musical Theatre |
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| Evgenia Artemova Opera production in Moscow at the present stage (Review of new performances of the 2021/2022 season) p. 6–26 |
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| Metadata | Full text of the article |
Interview |
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| Irina Alekseeva «I’ve always been a Free Bird». Interview with composer Margarita Zelenaya p. 27–36 |
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| Metadata | Full text of the article |
From the History of Russian Musical Culture |
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| Larisa Belogurova Gnessin Ethnomusicology in personalities: Tatiana Nikolaevna Kazanskaya p. 37–50 |
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| Metadata | Full text of the article |
XX century Music |
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| Margarita Bukrinskaya, Elena Burdinova Vocal cycle of N. Y. Myaskovsky «Reflections»: Poetic word and music p. 51–62 |
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| Metadata | Full text of the article |
| Olga Komarnitskaya, Minjei Yang «American Etudes» — «Travel Diary» by Nikolai Sidelnikov: Specifics of style and performing interpretation p. 63–82 |
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| Metadata | Full text of the article |
| Konstantin Kurlenya «New Simplicity» — «New Complexity»: To clarify the meanings and genealogy p. 83–97 |
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| Metadata | Full text of the article |
From the History of Foreign Musical Culture |
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| Ekaterina Svirskaya «Eton Choirbook»: Features of English Polyphony in the second half of the 15th century p. 98–111 |
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| Metadata | Full text of the article |
| About the Authors p. 112 | |
| Abstracts and Keywords p. 119 | |
| Requirements to articles p. 123 | |
