The art of improvisation and the genre of fantasy in the Baroque era

Original article
DOI: 10.56620/2227-9997-2025-1-78-89

Valentina A. Kramer

Gnesin Russian Academy of Music, Moscow, Russia,
fmanticore@mail.ru, https://orcid.org/0009-0001-7525-8124

Abstract: The article is devoted to the phenomenon of musical improvisation in the Baroque era. Different approaches of domestic and foreign researchers to the classification of improvisations are highlighted, practical guides of the Baroque era devoted to mastering the technique of improvisation are described, in particular F. E. Bach’s treatise «Experience on the True Art of Playing the Clavier».

Keywords: baroque, improvisation, fantasy, genre, Bach, treatise, partimento

For citation: Kramer V. A. The art of improvisation and the genre of fantasy in the Baroque era. Scholarly papers of Gnesin Russian Academy of Music. 2025;(1):78-89. (In Russ.). DOI: 10.56620/2227-9997-2025-1-78-89

References

  1. Field C. D.S.,The New Grove Dictionary of Music and Musicians [In the 29-vol.]. Ed. by Stanley Sadie. London: Grove, 2001. 871 p.
  2. Kümin N. Fantasising about the past: A baroque violinist’s guide to improvising fantasias. University of York Arts and Creative Technologies, 2023. 366 р.
  3. Kinus Y. Improvizatsia i compozitsiya v djaze [Improvisation and composition in jazz]. Rostov-na-Donu, 2006. 32 p.
  4. Livshits D. Fenomen improvisatsii v djaze [The Phenomenon of Improvisation in Jazz]. Nizhny Novgorod, 2003. 26 p.
  5. Bass J. Improvisation in Sixteenth-Century Italy: Lessons from Rhetoric Improvisation in Sixteenth-Century Italy: Lessons from Rhetoric and Jazz. Performance Practice Review. Vol. 14. № 1. 2009. Р. 23–30. DOI: 10.5642/perfpr.200914.01.01
  6. Benedek M. Lectio Praecursoria: The role of piano improvisation in teaching harmony, using combined materials selected from the Baroque period and jazz standard repertoire: towards a comprehensive approach // Finnish Journal of Music Education. Р. 76–82.
  7. Galey D.T. Improvisation: The History of Unplanned Notes in Structured Music // The Research and Scholarship Symposium, 2016, Р. 12–24.
  8. Maltsev S. Ob improvisatsii I improvisatsionnosti fugi [On improvisation and the improvisatory nature of fugue]. Leningrad, 1986. Р. 59–60.
  9. Novikova E. Improvisatsiya: sushnost I philosovsko- antropologicheskiye smysly [Improvisation: essence and philosophical-anthropological meanings]. Omsk, 2012. 22 p.
  10. Kudryashov A.Yu. Teoria muzikalnogo soderzhania: hudozhestvennye ideievropejskoymyziki XVII — XX vekov [Theory of musical content: artistic ideas of European music of the 17th — 20th centuries: a teaching aid for music universities and art universities]. St. Petersburg: Lan: Planet of music, 2010. 427 p.
  11. Rubinoff K.R. (Re)creating the past: baroque improvisation in thr early music revival. New Sound, 2008, Р. 8–18.
  12. Literatura I yazik. Sovremennaya illustrirovannaya entsiclopedia [Literature and Language. Modern Illustrated Encyclopedia]. Moscow, 2006. 583 p.
  13. Bach C.P.E. An Experience of the True Art of Keyboard Playing, trans. E. Yushkevich. St. Petersburg, 2005, 169 p.
  14. Drobot Y.K. P.E. Bach “O svobodnoyfantasii”: opytperevoda I issledovaniatraktata “Versuch uber die wahre art das clavier zuspielen” [C. P. E. Bach “On Free Fantasy”: an attempt at translation and research of the treatise “Versuch uber die wahre art das clavier zuspielen”] // Muzikovedenie. 2015. № 12. P. 11–17.
  15. Ottenberg H.G. Carl-Philipp Emanuel Bach / Hans-Günter Ottenberg. Leipzig: Ph. Reclam, 1982.
  16. Demeshko G. Richerkary I. Stravinskogo: o novych “likach” starinnogozhanra [Ricercars by I. Stravinsky: about new “faces” of an old genre] // Vestnik muzikalnoy nauki. 2023. № 1. Р. 12–22.
  17. Serebrennikov M. Ob improvizatsii fugi v epochu barokko (na materiale nemetskich istochnikov) [On the improvisation of fugue in the Baroque era (based on local sources)] // Opera musicological. 2011. No. 2 [8]. P. 4–31.
  18. Ledbetter D. Bach’s Well-tempered Clavier: The 48 Preludes and Fugues. New Haven and London: Yale University Press, 2002. P. 12–25.

 

Вам может также понравиться...