Issue 2022 №1(40)
CONTENTS
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Editor-in-chief page |
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| Full text of the article |
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Anniversary |
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| Nora Potemkina On the 140th Anniversary of the Birth of Olga Fabianovna Alexandrova-Gnesina p. 4–17 |
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| Metadata | Full text of the article |
From the History of Foreign Musical Culture |
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| Saidа Iskhakovа On the Performing Difficulties associated with the Proportionation of Durations in the Musical Practice of the Catholic Church of the XV century p. 18–33 |
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| Metadata | Full text of the article |
| Alexandra Maksimova Semantics of Orchestral Timbres in K. Kavos’ Ballet Scores p. 34–44 |
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| Metadata | Full text of the article |
XX century Music |
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| Olga Komarnitskaya, Minjei Yang «Labyrinths» — a Novel-symphony for Solo Piano by N. N. Sidelnikov: Principles of Drama, Composition, Content and Semantic Aspect p. 45–70 |
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| Metadata | Full text of the article |
| Yulia Panteleeva Modern Composition: Minimum or Maximum? p. 71–83 |
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| Metadata | Full text of the article |
| Natalia Govar «Me and the piano»: Reflections on Valery Gavrilin’s piano Miniatures p. 84–94 |
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| Metadata | Full text of the article |
The Musical Theatre |
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| Anastasia Khlyupina «Lolita» by Rodion Shchedrin in a changing time: The Experience of Director’s Interpretations of the Opera p. 95–116 |
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| Metadata | Full text of the article |
The Performing Arts |
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| Marina Podguzova Mikhail Pavlovich Mchedelov in the History of Russian Harp Art p. 117–124 |
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| Metadata | Full text of the article |
| About the Authors p. 125 | |
| Abstracts and Keywords p. 132 | |
| Requirements to articles p. 136 | |
