Editor-in-chief’s page |
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ACTUAL PROBLEMS OF MUSICOLOGY
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Natalia S. Gulyanitskaya
What is «harmony»? р. 10–16
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MUSICAL THEATER
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Natalia N. Saamishvili
Saariaho, Maalouf, Sellars: р. 17–34
co-authorship at the opera theatre |
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FROM THE HISTORY OF RUSSIAN MUSICAL CULTURE
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Vera E. Minaeva
Spanish and Russian motifs р. 35–52
in the opera «Homesickness» by A. N. Verstovsky |
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FROM THE HISTORY OF FOREIGN MUSICAL CULTURE
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Elizaveta A. Shavyrina
A. Dvorak and the ideas of Pan-Slavism in the Czech Republic р. 53–65
in the last third of the XIX century
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MUSIC OF THE XX CENTURY
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Olga O. Moskvina
«Metamorphoses» by R. Strauss: р. 66–77
the specifics of musical narrative |
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Yuri V. Vasiliev
«Rhapsody on a Theme of Paganini» and Symphony No. 3 by S. V. Rachmaninoff: р. 78–93
a dialogue of concepts |
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Margarita A. Bukrinskaya, Ekaterina A. Gerasimova
M. Weinberg «Children’s notebook» No. 2 op. 19: р. 94–103
Issues of genre and stylistic continuity |
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PERFORMING ARTS
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Sergey Ya. Vartanov
Rachmaninoff: conception in piano interpretation. р. 104–120
Prelude op. 32 gis-moll: «Russia, winter road» |
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Requirements for articles р. 121 |
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Full text of the article
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