On the logic of the «ideal narrative»
| Roundtable materials of the conference «Musical Composition: narrative vs architectonics» (April 18–20, 2023, Gnesin Russian Academy of Music) |
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Conference materials DOI: 10.56620/2227-9997-2023-4-141-144 |
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Inna M. RomashchukM. M. Ippolitov-Ivanov State Musical Pedagogical Institute, Moscow, Russia, |
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| Abstract: In the presented material, the author, relying on Frank Ankersmit’s theory of narrative logic, draws attention to the «ideal narrative» as an important principle for revealing the deeply hidden artistic intent of a musical work. It is precisely the «ideal narrative» that allows for penetrating all layers of the text (real and implied) and forming a holistic understanding of the conceptual plan. This is shown using the example of the last — Sixth — Symphony of Gavriil Nikolayevich Popov (1904–1972), in which a world of grotesque-tragic images is revealed, hidden under the title «Festive». Keywords: «ideal narrative», Gavriil Popov, Sixth Symphony op. 99 For citation: Romashchuk I. M. On the logic of the «ideal narrative». Scholarly papers of Gnesin Russian Academy of Music. 2023;(4):141-144. (In Russ.). DOI: 10.56620/2227-9997-2023-4-141-144 |
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ReferencesAnkersmit F. R. Narrativnaya logika. Semanticheskij analiz yazyka istorikov [Narrative Logic. A Semantic Analysis of the Historian’s Language]; transl. from English O. Gavrishina, A. Oleynikova, scientifically ed. L. Makeeva. Moscow: Idea-Press, 2003. 181 p. |
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