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MUSICAL THEATER
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Evgeniya G. Artemova
Modern repertoire trends of Russian opera houses
(a review of the premieres of the 2023/2024 season of the Moscow opera) |
р. 10–33 |
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Maria V. Rudko
Artistic and stylistic concept of G. Fr. Malipiero’s opera triptych
«L’Orfeide»: play or drama? |
р. 34–43 |
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Alexander I. Demchenko
Russian musical avant-garde of the early 20th century
and D. Shostakovich’s «The Nose» |
р. 44–55 |
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Alexei A. Vlasov
«Der gefühlvolle Kerckermeister» by Johann Nepomuk Nestroy
and the stereotypes of romantic theatrical art |
р. 56–69 |
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FROM THE HISTORY OF RUSSIAN MUSICAL CULTURE
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Olga A. Svetlova
M. I. Glinka’s operas in Siberia: musical-critical reception
in the regional press of the last third of the XIX century |
р. 70–81 |
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Eduard A. Dyachenko
On the textual problem of the editions of Tchaikovsky’s
Concerto for Piano and Orchestra No. 2, оp. 44 |
р. 82–99 |
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MUSICAL CULTURE OF THE PEOPLES OF THE WORLD
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Alfiia K. Shaiakhmetova
Phonemes and articulation of Qur’anic texts in Arabic
in musical notation (fixation, notation, analysis) |
р. 100–113 |
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MUSIC PEDAGOGY
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Svetlana Y. Belova
The methods of artistic embodiment spiritual verses
in the processing of M. V. Medvedeva |
р. 114–124 |
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| Requirements for articles |
р. 125 |
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